![]() ![]() "Let's cut the mini-moves and the bullshit and get on with this big romance." I change cars like other guys change their fking shoes. I wear a perfect, D-flawless three-carat ring. "If I want to meet people, I'll go to a fking country club." Every other word is fk, and, much to the annoyance of your significant others, you and your friends will be incessantly quoting lines for years to come (like me and mine do): There's the hardly original yet never tiresome perp-getting-beat-with-a-phone-book-in-an-interrogation-room scene. One guy takes a shotgun blast to the chest then gets dumped in a tank full of acid, another gets capped in the head point-blank. The body count is high and there's tons of blood. The movie - about a lone wolf burglar in Chicago who goes to work for a crime boss but then gets screwed over and seeks revenge - has everything you could ever want in a shoot-'em-up. On the surface, it'd appear they've done it again with Michael Mann's 1981 debut feature Thief, which came out recently in a dual-format edition. ![]() Once in a while the Criterion Collection will deviate from its ongoing college World Cinema course syllabus and release, as the old TBS show used to put it, a movie for guys who like movies: Armageddon, The Rock, The Game, RoboCop (sadly out of print), Ghostbusters (laserdisc only).
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